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The Chums

Favorite Classic Actors/Actresses #1 Mae West

nee Mary Jane West

(17 August 1893 - 22 November 1980)

Why she makes the list:

In 1932, West was offered a motion picture contract by Paramount Pictures. She was 38, unusually advanced for a first movie, especially for a sex symbol (though she kept her age ambiguous for several more years). West made her film debut in Night After Night starring George Raft. At first, she did not like her small role in Night After Night, but was appeased when she was allowed to rewrite her scenes.  In West’s first scene, a hat check girl exclaims, “Goodness, what beautiful diamonds.” West replies, “Goodness had nothing to do with it, dearie.”  Reflecting on the overall result of her rewritten scenes, Raft is said to have remarked, “She stole everything but the cameras.” [Wikipedia]

She also has some of the best quips I’ve ever heard.

2 years ago on 13 January 2011 @ 10:05pm 1 note

Favorite Classic Actors/Actresses #2 Paul Robeson

ne Paul Leroy Robeson

(9 April 1898 - 23 January 1976)

Why he makes the list:

Robeson was only the third African-American student accepted at Rutgers, and the only black student during his time on campus. Robeson was also one of three classmates at Rutgers accepted into Phi Beta Kappa in his third year, and one of four students selected in 1919 to Cap and Skull, Rutgers’ honor society.

Paul Robeson was also active on the Rutgers debate team and oratorical contests both on and off campus, winning the statewide prize four years in a row. He sang with the campus Glee club, but due to the racist climate at the time, he was not welcome to travel with the latter group out of town or to any social events following on campus performances.  In the same capacity, was he elected to the Rutgers literary society, the Philoclean Society without being allowed to fully share in its festivities.

Chosen to be the 1919 class valedictorian, during his commencement oration, he exhorted his classmates to “catch a new vision”, while the “class prophecy” envisioned that he would become a governor of New Jersey by 1940 and “leader of the colored race in America.” Robeson’s senior thesis was entitled “The Fourteenth Amendment, the Sleeping Giant of the American Constitution”, in which he displayed optimism about white intentions to end segregation.  Regarding his prodigious record at Rutgers, sports historian Francis C. Harris would say of Paul Robeson that he, “…established a level of excellence as a scholar-athlete that few others, if any, have ever attained.”

After graduation from Rutgers, Robeson moved to Harlem and entered Columbia Law School. Between 1920 and 1923, Robeson helped pay his way through law school by working both as an athlete and as a performer.

In the 1930s Robeson appeared in nine films, all but two of them British productions—after he and his wife moved to England in the late 1920s. For a total of nearly eleven years, he lived in the United Kingdom, with extended periods away on singing tours, until the outbreak of World War II. In 1928, at the invitation of a group of Labour MPs, he was the first actor of any race to have lunch at the House of Commons. During his many years abroad, Robeson became acquainted with conditions in different countries. Subsequently, his political thinking began to transcend racial divisions and encompass social and political issues and systems.

From 1927 to 1939, while continuing his professional singing and acting career, Robeson was increasingly involved with the struggles of British workers. He performed for them on numerous occasions, going down into the pits with the miners to see their working conditions and befriending them. Returning to England in 1949, he stated that his time there had a profound influence on his political development:

I learned my militancy and my politics, from your Labor Movement here in Britain…. That was how I realized that the fight of my Negro people in America and the fight of oppressed workers everywhere was the same struggle. [Wikipedia]

2 years ago on 13 January 2011 @ 10:00pm 4 notes

Favorite Classic Actors/Actresses #3 Fred Astaire

ne Fredrick Austerlitz

(10 May 1899 - 22 June 1987)

Why he makes the list:

His perfectionism was legendary; however, his relentless insistence on rehearsals and retakes was a burden to some. When time approached for the shooting of a number, Astaire would rehearse for another two weeks, and record the singing and music. With all the preparation completed, the actual shooting would go quickly, conserving costs. Astaire agonized during the entire process, frequently asking colleagues for acceptance for his work, as Vincente Minnelli stated, “He lacks confidence to the most enormous degree of all the people in the world. He will not even go to see his rushes … He always thinks he is no good.”  As Astaire himself observed, “I’ve never yet got anything 100% right. Still it’s never as bad as I think it is.” [Wikipedia]

Friend David Niven described him as, “a pixie — timid, always warm-hearted, with a penchant for schoolboy jokes.”

2 years ago on 13 January 2011 @ 9:56pm 5 notes

Favorite Classic Actors/Actresses #4 Humphrey Bogart

ne Humphrey DeForest Bogart

(25 December 1899 - 14 January 1957)

Why he makes the list:

Bogart, a liberal Democrat, organized a delegation to Washington, D.C., called the Committee for the First Amendment, against the House Un-American Activities Committee’s harassment of Hollywood screenwriters and actors. He subsequently wrote an article “I’m No Communist” in the March 1948 edition of Photoplay magazine in which he distanced himself from The Hollywood Ten in order to counter the negative publicity that resulted from his appearance. Bogart wrote: “The ten men cited for contempt by the House Un-American Activities Committee were not defended by us.”

In addition to being offered better, more diverse roles, in 1948 he started his own production company, Santana Productions, named after his private sailing yacht. (Santana was also the name of the cabin cruiser featured in the 1948 film Key Largo).  Bogart’s contract gave him the right to have his own production company, but Jack Warner was reportedly furious at this, fearing that other stars would do the same and major studios would lose their power. 

Bogart was an excellent chess player, almost of master strength. Before he made any money from acting, he would hustle players for dimes and quarters, playing in New York parks and at Coney Island. [Wikipedia]

2 years ago on 13 January 2011 @ 9:43pm 3 notes

garycooperappreciation:

Favorite Classic Actors/Actresses #5 Gary Cooper

ne Frank James Cooper

(7 May 1901 - 13 May 1961)

Why he makes the list:

He was well liked by men and women alike.  Even women he had been with and left still only had positive things to say about him.  He got what he wanted, but without hurting people.

Some quotes about him:

“Coop is a fine man; as honest and straight and friendly and unspoiled as he looks.  If you made up a character like Coop, nobody would believe it.  He’s just too good to be true.”

“He had no guile in him, no pettiness.  He was big, big.”

“Coop, you know, was painfully shy to the day he died.  He’d drive his eyes to the ground and once in a while look up to see if he was making eye contact.  It was no act.”

“He had a marvelous combination of great strength and great gentility — tough as steel, soft as fog.”

2 years ago on 12 January 2011 @ 11:31pm 4 notes

Favorite Classic Actors/Actresses #6 Cary Grant

ne Archibald Alexander Leach

(18 January 1904 - 29 November 1986)

Why he makes the list:

I read somewhere that his daughter had a friend who was a neighbor and didn’t have a father and when her mother came to pick her up from their house, Cary was reading a story to both the girls who were cuddling with him on his bed (it didn’t seem creepy the way she told the story).  He was a very devoted father, calling his daughter Jennifer, “my greatest production.”

David Niven described him as “the truly most mysterious friend I have.  He has great depression and great heights where he seems about to take off for outer space.”

Finally, screenwriter Sol Saks recalled,

Cary Grant, who I did a picture with, was one of the few people who insisted on the writer being on the set. The others, not only didn’t want ‘em, didn’t want to pay for ‘em, didn’t want them on there if they came for free because writers would give ‘em trouble. Writers would say, “You can’t say that line; that line spoils everything.” So, the solution was that they get rid of the writer… and you could say the line.

2 years ago on 12 January 2011 @ 11:19pm 4 notes

Favorite Classic Actors/Actresses #7 Joan Crawford

nee Lucille Fay LeSueur

(23 March 1905 - 10 May 1977)

Why she makes the list:

Not only did she always write thank you letters for everything and to everyone who wrote to her, but she knew the importance of her fans and was very good to them.  In addition, Joan Fontaine had this to say about her after working on The Women:

Joan Crawford, on the other hand, had the democratic touch, knowing every grip and electrician by name.

2 years ago on 12 January 2011 @ 11:14pm 3 notes

Favorite Classic Actors/Actresses #8 Barbara Stanwyck

nee Ruby Katherine Stevens

(16 July 1907 - 20 January 1990)

Why she makes the list:

She had a horrible childhood, but never felt sorry for herself.  She was a tough broad, a talented actress, and more than one person’s favorite actress to work with.

Stanwyck was known for her accessibility and kindness to the backstage crew on any film set. She knew the names of their wives and children, and asked after them by name. Frank Capra said she was “destined to be beloved by all directors, actors, crews and extras. In a Hollywood popularity contest she would win first prize hands down.”

William Holden credited her with saving his career when they co-starred in Golden Boy (1939). They remained lifelong friends. When Stanwyck and Holden were presenting the Best Sound Oscar, Holden paused to pay a special tribute to Stanwyck. Shortly after Holden’s death, Stanwyck returned the favor upon receiving her honorary Oscar, she said, with emotion, “Tonight, my golden boy, you got your wish.”

Stanwyck’s retirement years were active, with charity work done completely out of the limelight. [Wikipedia]

2 years ago on 12 January 2011 @ 11:08pm 4 notes

Favorite Classic Actors/Actresses #9 Bette Davis

nee Ruth Elizabeth Davis

(5 April 1908 - 6 October 1989)

Why she makes the list:

She may have been bossy and difficult to work with, but she knew when she was right, and would insist on having things her way.  I might also say that she was justified in being sure of herself.  She also said, “I often think that a slightly exposed shoulder emerging from a long satin nightgown packed more sex than two naked bodies in bed.”

2 years ago on 12 January 2011 @ 11:03pm 3 notes

Favorite Classic Actors/Actresses #10 Carole Lombard

nee Jane Alice Peters

(6 October 1908 - 16 January 1942)

Why she makes the list:

Some quotes from my book Close-Ups: The Movie Star Book by Sidney Salkow -

To all of us it was the Long Beach earthquake (it took fifty-two lives).  To Carole it was “Lombard’s Revenge.”  I watched her, mindless of everyone’s preoccupation with the moment, stride to Victor Halperin huddled outside the still-swaying stage and point a finger at him, “Victor – that was only a warning!”

When the script called for Carole to wear next to nothing in a scene, she told the crew, “I will if you will” and made everyone strip down to even the playing field.

Joseph Kennedy had rescued her from the Sennett harness and offered her a contract with his Pathé Studios, but on one condition.  “I’d say you can stand to lose twenty pounds,” he told her.  “You’re not so slim yourself,” she countered.  “I’ll lose it if you lose it.”  He accepted the challenge.

2 years ago on 12 January 2011 @ 12:13am 4 notes

Favorite Classic Actors/Actresses #11 Dana Andrews

ne Carver Dana Andrews

(1 January 1909 - 17 December 1992)

Why he makes the list:

President of the Screen Actors Guild from 1963 to 1965, Dana Andrews was one of the first to speak out against the degradation of the acting profession, particularly actresses doing nude scenes just to get a role. Probably the first actor to do a public service announcement about alcoholism (in 1972 for the U.S. Department of Transportation), he was a member of the National Council on Alcoholism and did public speaking tours. [Wikipedia]

2 years ago on 12 January 2011 @ 12:03am 4 notes

Favorite Classic Actors/Actresses #12 Frank Sinatra

ne Francis Albert Sinatra

(12 December 1915 - 14 May 1998)

Why he makes the list:

The man knew how to get what he wanted.  Granted he was stubborn and entitled, but even when he started out he stuck to his guns.  It was suggested that he change his name to Frankie Satin.  He told them, you want the man, you take the name.  In addition, he was wholeheartedly against racism.  He was a devoted friend (unless you crossed him…) and visited Humphrey Bogart frequently when he was dying.

2 years ago on 11 January 2011 @ 11:57pm 2 notes

Favorite Classic Actors/Actresses #13 Gregory Peck

ne Eldred Gregory Peck

(5 April 1916 - 12 June 2003)

Why he makes the list:

Peck had solo billing in Roman Holiday, but halfway through filming, he requested that the producer give co-star Audrey Hepburn equal billing in an almost unheard of gesture.  He thought he would look foolish when she stole the limelight and she hadn’t been given star billing.  What a generous and sensible thing to do!

2 years ago on 11 January 2011 @ 11:50pm

Favorite Classic Actors/Actresses #14 Olivia de Havilland

nee Olivia Marie de Havilland

(b. 1 July 1916)

Why she makes the list:

First of all, she basically saved Ida Lupino’s life, when Ida was ill and on her deathbed, it was Olivia who noticed the sores on Ida’s mouth, and alerted the medical staff who then saved her.  In addition, take it from Olivia’s estranged sister Joan Fontaine:

After her triumph in Gone With the Wind, Olivia was handed a series of mediocre scripts when she returned to her home studio, Warner Brothers.  Her employers felt she was now great ‘box office’ and her name could sell any piece of tripe.  She rebelled and was automatically suspended.  Bravely, she took her fight all the way to the Supreme Court of California.  In 1944, that august body handed down what is known as the de Havilland decision.  It released all of us from having to serve the time extended on our contracts through suspensions.  Every contract player owed Olivia a great debt of gratitude.  The decision also contributed to the demise of the studio system and of Hollywood.

And even today Olivia is one of the coolest people ever.  Exhibit A:

Gentleman Higgins extended his hand to help de Havilland up from her chair at the interview’s end. The actress graciously accepted his hand and rose, thanking him. But she added, “You know, I really don’t need help getting up,” and promptly sat back down, then rose to her feet in a flash, demonstrating remarkable agility.

2 years ago on 11 January 2011 @ 11:28pm 18 notes

Favorite Classic Actors/Actresses #15 Dean Martin

ne Dino Paul Crocetti

(7 June 1917 - 25 December 1995)

Why he makes the list:

A quote from his daughter, Deana Martin:

I loved being called Deana Martin.  Even when I was very small, Dad was such a positive influence on people’s lives that to be so closely associated with him was always a blessing.  People can’t help but smile when they think of my father, which has to be the greatest legacy of all.  When people hear my name for the first time, they usually ask the same question: “Any relation?” “Yes,” I reply proudly, “he’s my father.”  They smile and cry, “Oh, I love your father!  I’ve loved him all my life.”  Sometimes, just sometimes, they ask me the most important question of all: “Was he a good father?”  To their surprise, I shake my head and smile.  “No,” I reply.  “He wasn’t a good father, but he was a good man.”  Where Dad came from, that meant a great deal more.

2 years ago on 11 January 2011 @ 12:07am 5 notes